2024-On-going
AUDIO_
The voice of the Kobold : Marcus Zilz (DE)
Recording and mastering : Marcus Zilz (DE)
Text design/layout : Michael Petri (AT)
Riso Printing at : Stencil Zolder (NL)
RESEARCH_
A presentation and introduction to Kobold Talk
version of Kobold Talk and an introduction to the project
Kobold on the Unemployment Line was presented in May, 2026
on site at the Blaafarv
Kobold Talk is a text and audio work created for the exhibition, ‘Kobold on the Unemployment Line’ at PuntWG, Amsterdam 2024
Kobold Talk is also the umbrella name for an on-going research project into the history of the Kobold, labor, the color Cobalt Blue, and the mineral Cobalt.
AUDIO_
The Kobold has spent millennia underground, living deep within mountain ranges; a caretaker of the threshold between the geologic and the surface occupied by human life. Where previously, the Kobold in this role could send threats and warnings to miners and speculators who dug too deep (a knocking sound from behind a rock wall, an explosion of gases which blocks a path down), now, there’s not even a mountain left to protect. Contemporary extraction processes of mountain-top removal and strip mining reduce mineral-rich ranges to flat gravel beaches, and leave the guts of hills exposed to the sun.
Kobold Talk is a speculative dispatch from the Kobold attempting to reckon with its unexpected job redundancy, and the senseless ecological death-drive of global leaders and corporate extractive industries. The Kobold tries to communicate its resignation, punctuated by references and language it has picked up over the years; country music lyrics, Goethe, colloquial speech and idioms, quotes from artists, Marxist academics, and (the son of a miner himself) Martin Luther.
RESEARCH_
Kobold Talk is also an expanding artistic research project exploring the clash between desire and possession within patriarchal and emerging Capitalist systems, traced through the medieval history of the Kobold in relation to labor, art, ecology, and emerging concepts of mineral rights (the “Bergregal” and “Bergordnung” of the Holy Roman Empire). It is also a tongue-in-cheek reference to Kobold’s contemporary, Martin Luther, and his Table Talk (“Tischreden”) published in 1566.
(more forthcoming)
Full Audio of KOBOLD TALK on request, sample below.
- *Kobold refers to mythical goblins who live underground who are “about the size of children”, dress as a medieval silver miners, and mimic the labor of human miners; sometimes by engaging in futile acts of labor such as pouring rocks back and forth between two buckets, or sometimes more sinisterly, causing cave-ins, explosions, or gas poisonings during the ore smelting process.
Written and artistic accounts of Mine Kobolds date back to around 13th century Europe, with a proliferation in the 15th and 16th centuries, particularly in Saxony and Bohemia (modern-day Germany and Czech) as well as in Scandinavia. Both were centres of silver, copper, nickel, and tin mining at the time, and later of cobalt mining.
The mineral Cobalt and the color Cobalt Blue were both named after the Kobold.
Early miners would often mistake cobalt-arsenic compound ores for silver ore. When these ores were smelted, rather than being left with pure silver metal, the heat would cause the release of the arsenic in the form of poisonous gas, while the remaining material was a dull grey brittle metal. These “deceptive” ores were known as “Kobold ore” and were found produce bright, luminous blue-coloured glass and a coveted blue glaze for ceramics. It did not become a paint pigment until 1802, after Swedish chemist became the first to isolate and identify cobalt as a metal 1742.
(Public Domain image)
Date